The nation's oldest Death Row inmate probably won't ever be executed. But he sure loves to write letters.
South Florida's lawless exotic rental car industry keeps rolling.
In Texas, restitution for victims is nothing but a state-sanctioned sham.
If you thought Seattle couldn't fetishize coffee any more, you haven't been to a "cupping" yet.
Wednesday, June 8
This is opening night for Carter's Way, the final show of the Kansas City Repertory Theatre's 2004-05 season. (Previews started Friday, and Sunday's performance featured a discussion with the creative team.) It also marks the world premiere of a work by playwright and director Eric Simonson (director and co-author of 2002's Work Song: Three Views of Frank Lloyd Wright), whom the Rep commissioned to write about KC's jazz era. In it, Oriole Carter, a young black musician, becomes involved with a white singer -- a major taboo in 1930s, segregated Kansas City. (Plus she's the nightclub owner's wife ... scandalous!) The play uses ten original jazz compositions -- influenced by Count Basie, Coleman Hawkins, Charlie Parker and others -- to illustrate Carter's musical evolution. It starts at 7 p.m. at the Performing Arts Center on the University of Missouri-Kansas City campus (4949 Cherry); tickets are $33-$39. Call 816-235-2700 or see www.kcrep.com to purchase.