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  • Phoenix New Times

    Pen Pal

    The nation's oldest Death Row inmate probably won't ever be executed. But he sure loves to write letters.

    By Paul Rubin

  • Miami New Times

    Budget Ballin'

    South Florida's lawless exotic rental car industry keeps rolling.

    By Gus Garcia-Roberts

  • Houston Press

    Crime Doesn't Pay Back

    In Texas, restitution for victims is nothing but a state-sanctioned sham.

    By Chris Vogel

  • Seattle Weekly

    Hot and Frothy

    If you thought Seattle couldn't fetishize coffee any more, you haven't been to a "cupping" yet.

    By Jonathan Kauffman

Ghosty

Saturday, January 31, at the Bottleneck.

By Seth Sherwood

Published on January 29, 2004

Talk about blossoming indie cred. The Lawrence boys in Ghosty have opened for critical darlings such as Spoon and Beulah. They've played the prestigious CMJ showcase in New York City. They've recorded material with producer Mike Mogis, known for his work with cult-favorite Nebraska bands such as Bright Eyes. And they've even helped out on a song by indie pioneers the Flaming Lips, thanks to a chance run-in with Lips frontman Wayne Coyne at a recording studio in Oklahoma. The success is understandable. Ghosty blends gentle, shimmering guitars with emotionally honest lyrics and hummable melodies, weaving a literate indie-pop sound that resonates with girls who shop exclusively at thrift stores and with bespectacled guys who collect obscure vinyl. Just listen to the plaintive tune "Big Surrender." With chiming chords and a supercool slide solo that recalls George Harrison's riff on "My Sweet Lord," it shows that Ghosty is onto something solid.


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